Production Credits
Back Roads
Post Production Supervisor
(The Feature was shot in the USA, but came to the UK for Post Production. I had 2 weeks to set up a Post Production deal before the Director was due to arrive. The feature was the directorial debut of Alex Pettyfer, and a first time film for the Producers 'Upturn Productions' so a lot of hand holding was required.)
(The Feature was shot in the USA, but came to the UK for Post Production. I had 2 weeks to set up a Post Production deal before the Director was due to arrive. The feature was the directorial debut of Alex Pettyfer, and a first time film for the Producers 'Upturn Productions' so a lot of hand holding was required.)
Upturn Productions
2018 - 2019
Crash
Coordinator
(I was in charge of coordinating the 4K restoration of David Cronenberg's Crash, for a world premiere at Venice Film Festival 2019. I had to collate all the assets from a number of facilities in Canada, have them delivered to the UK, Quality Checked, Assessed and delivered to the Lab for restoration. Monitor the Restoration process and coordinating the Restoration and Grade with both Peter Suschitzky (DOP), and David Cronenberg for approval and sign off. )
(I was in charge of coordinating the 4K restoration of David Cronenberg's Crash, for a world premiere at Venice Film Festival 2019. I had to collate all the assets from a number of facilities in Canada, have them delivered to the UK, Quality Checked, Assessed and delivered to the Lab for restoration. Monitor the Restoration process and coordinating the Restoration and Grade with both Peter Suschitzky (DOP), and David Cronenberg for approval and sign off. )
Red Planet Pictures
2018 - 2019
X Moor
Post Production Supervisor
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. )
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. )
thefyzz
2014
SuperBob
Post Production Supervisor
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. After the full delivery of this feature in 2015, I went on maternity leave for 1 year. )
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. After the full delivery of this feature in 2015, I went on maternity leave for 1 year. )
thefyzz
2014 - 2015
The Survivalist
Post Production Supervisor
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. After the full delivery of this feature in 2015, I went on maternity leave for 1 year. )
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. After the full delivery of this feature in 2015, I went on maternity leave for 1 year. )
The Fyzz
2014 - 2015
A Patch of Fog
Post Production Supervisor
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. After the full delivery of this feature in 2015, I went on maternity leave for 1 year. )
(This was a first time Director on a £1 million film, so budget and schedule was very tight. We could not afford any mistakes or technical faults. After the full delivery of this feature in 2015, I went on maternity leave for 1 year. )
The Fyzz
2014 - 2015
High Rise
Post Production Supervisor
(After this feature was fully delivered in December 2015, I went on Maternity leave for a year, so did not return back to work till 2017.)
(After this feature was fully delivered in December 2015, I went on Maternity leave for a year, so did not return back to work till 2017.)
Recorded Picture Company, Film4
2014 - 2015
Dom Hemingway
Coordinator
(On taking delivery of the film from the Production, on technical inspection it was found there were a number of issues, and the feature had to go back in to post to correct certain aspects, with all picture deliverables needing to be remade. I co ordinated the whole process from technical rejection, back through the post process, VFX work and remaking all the deliverables. )
(On taking delivery of the film from the Production, on technical inspection it was found there were a number of issues, and the feature had to go back in to post to correct certain aspects, with all picture deliverables needing to be remade. I co ordinated the whole process from technical rejection, back through the post process, VFX work and remaking all the deliverables. )
BBC Films, Recorded Picture Company
2013
Lesbian Vampire Killers
Consultant (in house)
(Taking delivery of the feature film on behalf of the Sales Agent, working closely with the PPS. )
(Taking delivery of the feature film on behalf of the Sales Agent, working closely with the PPS. )
AV Pictures, Cinecap LVK Ltd
2009
Creation
Consultant (in house)
(Taking delivery of the feature film on behalf of the Sales Agent, working closely with the PPS. )
(Taking delivery of the feature film on behalf of the Sales Agent, working closely with the PPS. )
RPC
2009
